Update on Penelope, the beginnings of some ending thoughts on my obsession
In Penelope we get Molly’s interpretation of what I see as three of the most prevalent cyclical allegories for teleological processes (histories?) in Ulysses: foot to mouth, mouth to bottom, and of course procreative sex/intercourse.
FOOT TO MOUTH
It seems that Molly shares with Stephen an aversion to the pairing of feet and mouths, in the literal and figurative senses. Not only does she resent Bloom’s rather unconventional sleeping style, “his big square feet up in his wifes mouth,” she also plainly rejects the evasive self-denial that carves the circuitous routes of Bloom and Stephen’s wandering internal monologues. It seems no coincidence that it is in Molly’s nearly a-syntactic interior language that the text becomes most sexually explicit and revelatory of many previously ambiguous narrative events (though Joyce may also be working against this assumption as well). Molly obviously feels no impulse to obfuscate intentions or actions, and scoffs at the doctor’s word “omission”, a signifier most notably attached to adultery (through Bloom’s preoccupation with Molly potentially having a STD).
MOUTH TO BOTTOM
It is harder to say Molly’s exact opinion of this setup, although it is in some way connected to the notion of “omission” as a signifier of the negative capacity of masculine emission. This relation is particularly evident in Molly’s fantastic (as in the adjective form of the noun fantasy) seduction of Bloom. Here, the mouth to bottom kissing of Molly’s “brown part” acts as an intermediary transaction leading to Molly’s monetary benefit (“then Ill tell him I want £1”) as well as another of Bloom’s most masturbatory moments (“Ill let him do it off on me behind”), which subsequently ends in the now explicitly negative and commercialized climax (“Ill wipe him off me just like a business his omission then Ill go out,”) (642). In this economy, Bloom, as he has many times before, acts as the ultimate consumer, continuing processes beyond their predestined point of expiration (i.e. the end of the digestive tract “lick my shit”, the bottom of the pot “he goes and burns the bottom out of the pan all for his Kidney,” the grave (?) after all Bloom is at this point both asleep and a specter of Molly’s phantasmal sexual realization) and benefiting from them? (Couldn’t we say that Molly’s sexual fantasies are at this point the after-glow of her still fresh memories of an afternoon with Boylan?)
Since I’m running out of room and time I will update this portion tomorrow on the blog and in class.